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Flume chords10/31/2023 This is a community for the technical aspects of production and for production discussion, not drama. This is not the place for posts about discovering people stealing songs from other artists or producers using ghost writers, etc.7 day ban on first offense, permanent ban thereafter. Linking to piracy-centric subs also prohibited. Advocating, asking for, or giving advice on how to pirate is prohibited.If you're not sure if your post will fit or not, message the moderators. Users posting links to tracks for views or feedback, soliciting/offering services, promoting fan pages, using follow-gates/download-gates, or otherwise benefiting financially from the sub will be banned for a day and informed to read the rules. Spam & self-promotion (outside of the Marketplace thread, where ads are encouraged) will be removed.Keep it productive, intelligent, intelligible, and constructive.If your thread is vague, unclear, or easily answered by searching ("does anyone else.?" "Any suggestions for.?") it may be removed. If your thread is only tangentially related, it is probably considered off-topic. Please submit only content and discussion that is specifically relevant to music production.Repeated or egregious offenses will be countered with a ban. If you disagree with something, make your case politely. No flame wars, disrespect, condescension based on level of experience, or tactless posts stereotyping any group of people will be tolerated. Posts and comments are expected to be civil, even when there are disagreements.Please report threads and comments that violate the following rules: Be respectful It sounds good but it doesn't flow with my track particularly well, especially towards the end of the sample.This subreddit is for those wishing to discuss electronic dance music production. Here's the sample over my track with no cuts, I've repitched it to fit the key of my song, in this case 2 semitones down to C Major. I don’t want to use standard sounds, I want to find weird ones. So I go through thousands and thousands of kick drums and snare drums to find the right sound. Flume uses sample packs a fair bit and says he's picky about choosing samples for his productions:Īlso, I download a lot of sample packs. You could either record your own vocals, find a guest vocalist, or search through sample packs for good vocal samples. One of the most distinctive elements of Flume's sound is chopped up sounds, especially vocals. Listen below and notice how the drums cut through the synth tracks. The technique is applied differently in every DAW, but in Live I'm using Glue Compressor to duck the chord progression in time with the beat. When the trigger drum hits our sidechain track ducks in volume, giving the rhythmic pumping effect that sounds so good in 4-to-the-floor electronic dance music. Sidechain compression involves lowering the volume of a track (keys, guitars, busses, anything) when triggered by another track, often drums. Sidechain compression can be used in a slightly more subtle way to give more room to the drums, giving the beat more emphasis in the mix. Sidechain compression is a quintessential technique in electronica, but it doesn't have to be used for the extreme pumping effect as in Daft Punk or deadmau5 songs. He uses some advanced techniques like manipulation of vocal samples with pitch bending and portamento, but he also uses some simple techniques to get his mixes to sound great. it’s the one synth I really know well."Īnd here it is with a basic beat underneath:įlume's music is full of neat production tricks that help his music stand out. Most of the sounds from Flume were likely created with Sylenth1, of which Flume said "I know Sylenth1 back to front so I can make any sound on that now. Some great digital synths are Native Instruments Massive, XFer Serum and Lennar Digital Sylenth1, but there are plenty of options to choose from. Most of Flume's sound design is done with powerful digital synthesizers that allow him to take advantage of unison / voice detune and interesting sounding wavetable oscillators. I feel tones and textures often get overlooked, so I like to take my time finding the right sounds." - Flume "Music essentially boils down to two main elements, rhythm and melody. One of the key elements to Flume's sound is the marriage of experimental sounds with poppy chord progression, melodies and hooks, which gives his music an accessible yet interesting character. His debut album Flume perfectly showcases his penchant for chopped-up sound design and guest vocals. Flume, the alias of Harley Streten, burst onto the electronic music scene in 2012 and swiftly rose in popularity with his darkly textured yet soulful electronica.
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